Graphic Art

My work is born from movement across territories: from Peru to Europe, from Lima to Wuppertal, from the migrant experience to the body searching for meaning. I trained within the German school of physical theatre —where the rigor, the poetics of gesture, and the deep listening of Pina Bausch and Bárbara Gross shaped my vision— and I grew artistically within the interdisciplinary environment of the Íntegro collective in Lima, where the political, the ritual, the autobiographical, and the experimental coexisted without boundaries.
 

This double root —European and Latin American— sustains both my pedagogical and artistic practice. In my workshops and creative processes I work with themes that cut through my own biography: racism, inequality, coloniality, migration, ecology, self-worth, and repair. These are not “added topics,” but forces that affect the body, translating into energy, rhythm, and ways of being and communicating.
 

My approach to stage presence begins with a central idea: truth does not reside solely in the performer nor solely in the audience, but in the small, vibrating space between them. It is there, in that unrepeatable exchange, that authenticity emerges. I use tools from physical theatre, performance, clowning, autobiographical dramaturgy, and perceptual training to guide each artist toward their own scenic truth —a truth not performed, but revealed.
 

I am interested in that moment when the performer stops “showing” and begins “offering,” when the spectator stops merely observing and begins to resonate. That shared territory —fragile, political, intimate, collective— is where my work lives. That is where art begins, and where transformation takes root.